The Source of War


Learning to Love the Questions / Thursday, June 11th, 2026

From April through September of last year, I was corresponding with a poet from Iran who’d asked to interview me. Given the current situation and the fact that I know nothing about the poet’s situation, not even whether or not they are still alive, I am not going to name them here, but I’ve been thinking a lot about the questions they asked me since the beginning of the US-Israeli war against their country, since very few of them had any direct relationship to my work as a poet or to poetry in general. Still, they were all thought provoking, often leading me to articulate things I’d never really thought about before and that I think are worth sharing. Rather than work those answers into new essays, though, and out of respect for the poet who interviewed me, I’m going to preserve the Q&A format and publish my answers as I originally wrote them. You’ll understand immediately why I’ve decided to start with the second question in the series. Looking back, it seems especially prescient.

Q: “I strongly agree with Kafka’s statement that ‘war, in its first phase, emerges out of [a] total lack of…imagination.’ How do you view the main source of war?”

I’m not sure how to begin to answer this question. Since I have never—and I am grateful for this—had to live through a war, I have never been forced to confront face-to-face what it would mean for there to be people in the world who have defined me as an enemy who does not deserve to live. Even as I write that, though, I realize I have begun to formulate an answer. As my use of the word “defined” suggests, I believe lethal violence is rooted in a quintessentially imaginative act: the proactive imagining of another human being or group of human beings as nonhuman and therefore “killable” with impunity.

I have never believed that the default human stance towards others is to see them as so fundamentally, essentially different from ourselves that we also see their lives as inherently less worthy than ours; and I guess I do believe, therefore, that rendering someone “killable” requires willful, proactive effort. Even killing in self-defense requires this imaginative act. If someone is trying to kill you and killing them is the only way to save your life, you have to believe on some level that your potential murderer is no longer as fully human as you are and therefore no longer has the same right to live as you do.

I have never been through military training, but I remember walking to the post office in 1980 to register for Selective Service. The Soviet Union had invaded Afghanistan and the possibility existed that then-President Jimmy Carter was going to reinstitute the military draft in response. He activated Selective Service registration in preparation for that possibility. I was eighteen years old. As I walked, I tried to imagine what it would be like to be trained to kill people I had never met and had no reason to hate. I couldn’t do it, but I knew that, if I ever were drafted, that’s what I would be trained to do, and the thought of what that would do to my humanity terrified me. I would never have been able to articulate it this way back then, but I was struggling with the question of whether and how I could resist the the militarization of my imagination.

Implicit in what I think you and Kafka mean by “a total lack of imagination” is the optimistic belief that the imagination is an inherently good and humanizing thing. That’s the way those of who are artists tend to think of the imaginative capacity out of which our art emerges, but I think we miss something crucial if we define as an absence a world view that is so diametrically opposed to our existence that the people who hold it are willing to go to war with us. I also think that defining their world view as an absence of imagination merely inverts the hierarchy that organizes how they see the world, placing ourselves on top instead of them.

If someone is indeed trying to kill you, though, if someone insists on prosecuting a war of aggression against you, you may very well have to kill them first in order to survive. I just think it’s important to remember that they’re not trying to kill you because they lack imagination, or because imagination has failed them. Rather, they are trying to kill you because of what they have imagined you to be, and they may very well give you no choice but to accept that nothing you can do will change their minds about that.